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Bradley Johnson Productions Posts

What’s the most interesting list website you’ve recognized this month?

http://feedproxy.google.com/~r/OnlineMarketingSEOBlog/~3/8fItpxBt8Nk/

B2B Influencer Marketing Survey

B2B Influencer Marketing Survey

Influencer Marketing is positioned to address some of the key B2B marketing challenges of our time: declining buyer trust, improving content quality, reach and effectiveness.

On top of that, business marketers are now faced with the additional challenge of in-person marketing being taken out of the mix with many shifting to pure digital and and purpose driven programs.

Influencer Marketing presents an even greater opportunity for B2B brands in an all-digital environment to attract and engage customers with authentic content that builds trust.

While there’s plenty of momentum and recent attention towards influencer marketing for B2B companies, the majority of research on the topic has been covered broadly or focused on B2C influencer marketing. Many blogs and publications including this one have cited B2C statistics and examples in the hopes of a correlation to B2B. But it’s just not the same thing.

Fyre Festival references and comparisons to Kardashians when understanding the possibilities with B2B influencer marketing isn’t helping anyone.

To give the B2B world some clarity, TopRank Marketing has launched the 2020 State of B2B Influencer Marketing Study. Our goal is to help demystify the top challenges, best practices of top performers, operations, software and future directions of influence for business to business marketers.

Survey respondents can get early access to the report PLUS they can also enter to win a $500 Amazon gift card.

We’ve been capturing responses for several weeks and despite all that is going on right now, the survey has been well received. Marketers from B2B companies of all sizes including many of the top B2B brands in the world have taken the survey and the insights so far are compelling to say the least.

If you work in B2B marketing and have tested influencer projects, implemented campaigns or are currently running ongoing influencer marketing programs, I invite you to take the survey today.

With the 2020 State of B2B Influencer Marketing Study, we’ll finally have valid statistics based on actual B2B practitioners sharing their successes, challenges, strategies, tactics, measurement, operations, software and trends insights. Now, more than ever, we need clarity on what influencer marketing means for the B2B world as we navigate these challenging times and beyond.

Big thanks to MarketingProfs, Content Marketing Institute and B2B Ignite USA for their media partnerships to get the word out on the survey. We’ll be sharing multiple additional media sponsors soon. I would also like to thank Mantis Research for their research services.

 

The post Take the 2020 B2B Influencer Marketing Survey appeared first on Online Marketing Blog – TopRank®.

What’s the most useful email tool you’ve recognized today?

https://wordtothewise.com/2020/03/misinformation-on-filters/

I’ve seen reports that someone is asserting that utm=COVID19 in URLs results in all mail going to bulk at multiple ISPs. This is the type of thing that someone says is true and dozens of folks believe it and thus a “deliverability phact” is born. For a plethora of reasons, this doesn’t pass the sniff test. Don’t believe everything you read on the internet.

It’s very tempting to identify this One Simple Trick to get your email into the inbox. Change this font. Take out this UTM. Change this hostname. And, in some cases it may even work for a time.

But, look, if filters really were that simple they’d be wholly ineffective. Not just slightly ineffective but wholly ineffective. Anything that is easy to test can be defeated, and spammers test as much or even more than marketers do.

Don’t believe me? Over a decade ago I was invited to a meeting with a “marketing company” based out of San Francisco. After I got there and signed the NDA, they explained their strategy to get mail into Hotmail. Starting at 5pm they would have their content staff start writing emails and sending them to Hotmail. They’d test and test and test until one of them got into the inbox. Once they found content that would get through the filters, they’d turn on the floodgates and send as much mail as they could until the filters caught up. They’d do this all night, every night. (They were shut down by the FTC not long after I declined to work with them.)

It’s naive to believe that filters would be so transparent and think they’d still work. Anything so simple is going to be discovered and exploited by the spammers. Don’t fall prey to this kind of deliverability nonsense. Think about what the bad guys would do if this were true. And then remember that the bad guys have a lot of practice exploiting naive filters.

When is the Right Time to Hire a Book Editor?

First-time authors sometimes make a grave mistake when seeking a book editor for their first manuscript.

When I started as a freelance editor, I couldn’t put my finger on the problem. But, as my client list grew, I realized why I was secretly getting frustrated with a few of their books.

Highly experienced editor Shawn Coyne expresses the problem succinctly and memorably: “A lot of people just want to dump their goo on an editor and have the editor form that into something for them.”

When weary writers submit their premature manuscripts to editors too soon, both parties will inevitably become frustrated.

For the most part, I don’t believe first-time authors do this knowingly. They just don’t know any better. They’ve written what they believe is a workable first draft, and because they want to do the process right, they begin looking for editors for hire.

But a first draft should never be sent to an editor, unless you’re working with — and willing to pay — a developmental editor to help you create a workable draft.

Why premature manuscript submissions happen

Authors who submit under-cooked books are subconsciously motivated by the twin specters that haunt every writer, every day: fear and resistance.

They may fear they don’t have what it takes to be “a serious writer,” so they send their “goo” to an editor in the hopes that the editor can affirm their work and make it monumentally better.

Unwittingly, these authors place the burden of failure (or success) onto their editors’ shoulders.

Or, maybe the writer has been working on their book for three months, or a year, or many years, and they’re so tired of looking at the thing that they send it off because they just want to be done with the process. In Steven Pressfield’s parlance from The War of Art, that’s Resistance.

In fact, Pressfield writes, “Resistance is experienced as fear; the degree of fear equates to the strength of Resistance. Therefore the more fear we feel about a specific enterprise, the more certain we can be that that enterprise is important to us and to the growth of our soul. That’s why we feel so much Resistance. If it meant nothing to us, there’d be no Resistance.”

How much does a first-time author’s first book mean to them? The world.

So how much Resistance can they expect? Planet-sized.

When you’re up against a foe like that, I don’t blame authors who’d rather have the editor fight that battle.

But that’s not our job. As the writer, this is your fight.

When should I start reviewing editors for hire?

The question that arises then is: When is the right time to hire an editor?

Consider these questions, and be brutally honest with yourself in answering them before figuring out how to find an editor:

  • Have I done as much as I can to make my manuscript the best I can?
  • Am I looking for an editor because I’m tired of looking at my manuscript?
  • Have I attempted any book editing on my own?
  • Has any experienced writer read my work-in-progress or early drafts? (Tip: find a local writing group or critique group.)
  • Do I need to learn more about the craft of writing before proceeding with further work on my book?
  • Do I have the nagging feeling that something undefinable isn’t quite working in my manuscript?
  • Do I understand the cost, both in time and money (freelance editing rates), of hiring a professional editor, and have I budgeted for both?
  • Do I know the difference between developmental editing and copyediting? And if I’m tired of working on my book but want to get it done, do I have the budget to hire a developmental editor to help me cross the finish line?
  • If you’re self-publishing: Am I rushing the process simply to crank out another book?
  • Am I sending my book to an editor because I’m afraid I don’t have what it takes to be a writer? In other words, am I hoping that a professional editor can shape my goo into the masterpiece I have in my mind?

The real question before looking for editors for hire

I hear the fear that sits within every writer’s heart when a first-time author and client asks me that one question I dread: What do you think of my book?

What they’re actually asking is: Is it any good?

If an editor answers that question — they often won’t unless they’ve been hired for a manuscript critique — they’re likely going to be bluntly honest. Why?

If they’re experienced and good at what they do, they’ve read a ton of books. They know the industry. They know what’s considered publishable. And they will stack that knowledge against your book, and your book may not come out looking so well.

Every writer suffers from doubt that their book will be good or even acceptable.

When John Steinbeck wrote East of Eden — a phenomenal book — he recorded this in his journal, which was later published in Journal of a Novel: “I know it is the best book I have ever done. I don’t know whether it is good enough.”

To me, that’s one of the more astounding admissions of self-doubt from a writer who had experienced both critical and commercial success. In other words, even Steinbeck feared that the “goo” of his manuscript wasn’t ready.

Steinbeck needed at least six years to write East of Eden based on notes he’d taken about the Salinas Valley for most of his life. Arguably, he needed his lifetime to write what he considered his masterpiece. He wrote, “I think everything else I have written has been, in a sense, practice for this.”

Toward the end of that years-long journey, as he dove headlong into finishing East of Eden, Steinbeck wrote letters to his friend and editor, Pascal Covici, which were posthumously published in Journal of a Novel in 1968.

When considering whether or not your book is ready for an editor, think about Steinbeck’s challenge to himself: “You can’t train for something all your life and then have it fall short because you are hurrying to get it finished.”

Writer, this is your fight. If it’s your first, prepare for 15 rounds.

This is an updated version of a story that was previously published. We update our posts as often as possible to ensure they’re useful for our readers.

Photo via GuadiLab / Shutterstock 

The post When is the Right Time to Hire a Book Editor? appeared first on The Write Life.

How will you apply the knowledge from this post?

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2020 April 3 Social Bakers Chart

2020 April 3 Social Bakers Chart

Influencers see surge in engagement, want to help SMBs
While other forms of marketing have generally seen decreased effectiveness figures during the coronavirus pandemic, influencer marketing has seen surging social media engagements and impressions, with some 70 percent of influencers seeing audiences seeking guidance from them during the crisis, according to recently-released survey data of interest to digital marketers. Influence Central

Forrester: Brands must build trust as coronavirus saps consumer sentiment
Although brands have been facing decreased consumer confidence due to the coronavirus pandemic, some are also achieving new levels of trust by helping consumers regain a sense of control, a shift examined in newly-released consumer energy index survey data from Forrester. Marketing Dive

Forrester Chart

Facebook Added a New ‘Experiments’ Element to Ad Manager to Help Optimize Ad Performance
Facebook has released new online video watching features to meet growing usage demands due to the coronavirus pandemic, including audience targeting campaign test results that are easier to track, and other additions that had previously been available only to partners, the social media giant announced recently. Social Media Today

An Age Gap Emerges in the Streaming Video Ad vs. Costs Debate
52 percent of the 25-34 age group demographic are open to seeing more online advertisements in exchange for lower streaming video service fees, while just 28 percent older than 55 take the same view, two of several findings of interest to digital marketers in new survey data. MarketingCharts

The new contextual ad targeting works, study says
With browser cookie-based tracking on the wane, contextual advertising has been getting a second look from marketers seeking alternative tracking, and recently-released test results found that contextually relevant ads generated some 43 percent greater neural engagement along with 2.2 times better ad recall, among other findings of interest to marketers. Search Engine Land

Trust Barometer Special Report: Brand Trust and the Coronavirus Pandemic [Edelman]
Brands can meet the challenges surfaced by COVID-19 by offering solutions and setting aside passion, according to newly-released consumer trust report data from Edelman, which revealed that some 57 percent of consumers want brands to stop all humorous or light-hearted marketing and advertising during the pandemic. Edelman

2020 April 3 Statistic Image

Remote working: B2B brands feeling more resilient than B2C
B2B marketers have a greater sense of resiliency than their B2C counterparts, especially when it comes to remote collaboration, with 51 percent of B2B marketers viewing their organizations as very proficient at conducting remote work, while just 34 percent of B2C marketers took the same view — two of several findings of interest to online marketers contained in new Marketing Week and Econsultancy survey data. Marketing Week

UK B2B marketers split on whether they can overcome coronavirus pandemic
While some 45 percent of B2B marketers in the U.K. said that they were either extremely or fairly confident about finding success during the coronavirus pandemic, just 40 percent felt confident in achieving any return on investment (ROI) from current campaigns, according to recently-released survey data from CogniClick. The Drum

Three Points B2B Sellers Should Consider to Improve Buyers’ Experiences
86 percent of B2B technology buyers have an expectation that they will receive personalized sales material — a rate that is likely responsible for 71 percent of B2B buyers saying that their salesperson relationship directly influenced a recent purchase. These purchasing experience results are along several of interest to digital marketers in newly-released report data. MarketingCharts

How COVID-19 Is Impacting Social Media Ad Rates and Engagement
The coronavirus pandemic has brought lower cost per click (CPC), click-through rate (CTR), and ad spending figures for brands, including social media ad engagement that was down 17.2 percent during the middle of March, according to newly-released report data from Social Bakers of interest to digital marketers. MarketingProfs

ON THE LIGHTER SIDE:

2020 April 3 Marketoonist Comic

A lighthearted look at decision paralysis by Marketoonist Tom Fishburne — Marketoonist

MySpace Tells Employee to Stay Home During Pandemic — The Hard Times

TOPRANK MARKETING & CLIENTS IN THE NEWS:

  • Lee Odden — What’s Trending: Marketing in Troubled Times — LinkedIn (client)
  • Lee Odden — Creando estrategias de contenido B2B – Webinar con Lee Odden (Inglés) [Video – In Spanish] — B2B Marketers
  • Lane R. Ellis — Want to Increase Your Small Business Knowledge? Here are 10 Expert Tips — Small Business Trends
  • Lee Odden — 10 Takeaways from HubSpot’s State of Marketing 2020 Report — Weidert

Do you have your own top B2B content marketing or digital advertising stories from the past week? Please let us know in the comments below.

Thanks for taking the time to join us, and we hope that you will return again next Friday for a new array of the most relevant B2B and digital marketing industry news. In the meantime, you can follow us at @toprank on Twitter for even more timely daily news. Also, don’t miss the full video summary on our TopRank Marketing TV YouTube Channel.

The post Digital Marketing News: Influencers See Surging Engagement, COVID-19’s Impact on B2B Marketers, & New Opportunities For Building Brand Trust appeared first on Online Marketing Blog – TopRank®.

2020 April PAD Challenge: Day 5

Write a poem every day of April with the 2020 April Poem-A-Day Challenge. For today’s prompt, write a moment poem.


For today’s prompt, write a moment poem. The moment could be this very moment in time. Or pick a moment from your past and dive into it. It could be a huge moment or event in your life (or the life of another). Or you could share a small, private moment–like a walk at night or solitary adventure.

Remember: These prompts are just springboards; you have the freedom to jump in any direction you want. In other words, it’s more important to write a new poem than to stick to the prompt.


Re-create Your Poetry!

Revision doesn’t have to be a chore–something that should be done after the excitement of composing the first draft. Rather, it’s an extension of the creation process!

In the 48-minute tutorial video Re-creating Poetry: How to Revise Poems, poets will be inspired with several ways to re-create their poems with the help of seven revision filters that they can turn to again and again.

Click to continue.


Here’s my attempt at a Moment Poem:

“From One Dream to the Next”

He woke as the light
was just starting to glow
against the window’s blinds,
and he thought he should go,

but she stirred and moved close
without even a peep,
so back on his pillow
he gave way to more sleep.

The post 2020 April PAD Challenge: Day 5 by Robert Lee Brewer appeared first on Writer's Digest.

What’s the most helpful writing tool you’ve ascertained this year?

https://econsultancy.com/marketing-in-the-new-normal-coronavirus-paul-ralph-consultant-educational-publishing/

Paul Ralph is a marketing consultant in the educational publishing sector (you can check out his website here).

When I put the call out on Econsultancy’s Guild messaging group, to ask our subscribers how their work life has changed in the last month, Paul was quick to offer his thoughts.

Here’s what he had to say about marketing in the new normal…

Please describe your job: What do you do?

I am a self-employed marketing consultant specialising in the Educational and English Language Teaching publishing sectors.

The bulk of my work is around strategic marketing issues. For example, my more recent assignments have included:

  • Advising on organisational structure/future marketing capabilities
  • Developing a global channel partner strategy for a digital educational product
  • Reviewing the global strategy for a specific sector based on a 5-year view of trends in education/technology/marketing etc.

How has your typical day been impacted in the short term by the pandemic?

From August to December 2019 I had no paid work coming in (for no particular reason although the break was welcome). Then from January this year things started cranking up again. Until the pandemic.

The pandemic has caused me to cancel face-to-face meetings and the major teacher’s conference I would have attended in April has been cancelled. This has, in previous years, been my most valuable networking event, and usually one or more major assignments have come about as a direct result of meetings held with exhibitors at the conference.

The big change for me isn’t that I am working from home as I am, by now, used to that. It is that my clients (Marketing Directors, Heads of Marketing) are working from home, as are their clients (Education Managers, Teachers and Learners). Not only are they adapting to the changes involved in working from home but they are respectively having to come to terms with the deeper impact on the business, and adapting to a new way of teaching and learning. This is before you consider wider societal stresses and personal challenges or tragedies; the two biggest markets for UK-published English Language Teaching textbooks are Spain and Italy.

At this time of year my focus would typically be on seeking new business either through approaching existing clients or seeking new ones. As a result of the pandemic my expectations have changed and I do not assume I will get any paid contracts in the coming months. My main objective is stay in contact with existing clients if they want to during this period and to provide support where I can.

I appreciate not all business or freelancers have the luxury of following this approach. It is worth pointing out that this work is not my chief source of revenue and while my aim to is keep active, it is not essential for my financial security to run a full-time business.

paul ralph

What are your favourite tools and techniques to help you get your work done at the moment?

I am used to working from home and use the same basic tools as before. Laptop, phone, Skype, etc. I generally fall into line with my clients’ established modes of communication be it Skype or Google Hangout or whatever. I have not yet tried Zoom. I found the tips in Econsultancy’s recent remote working webinar useful and shared the details with key contacts.

What trends have you seen in the last few weeks in your sector?

In educational publishing marketers are focussing on providing quality free content aimed at supporting teachers, learners, and parents with online teaching and learning. This content consists of videos, blogs, webinars, and lesson ideas and is typically flagged up prominently on the website home page and featured via the existing social media platforms.

Most textbooks now have an online learning component designed for homework if not a full e-book version. Ensuring teachers and learners are supported in making the best use of these digital tools is a priority and there is evidence there has been increased engagement with these resources since lockdown.

Face-to-face professional development events, teaching conferences, author tours etc. have all been cancelled and again, there is evidence that engagement with webinars and e-conferences has increased. The tens of thousands of school sales visits normally scheduled around the world at this time of year have been replaced by phone visits where appropriate or possible.

These are very sensible customer-centric responses to the current crisis, but also relatively tactical. Working out the longer-term implications of the pandemic is a challenge in educational publishing as in all sectors.

While many consumer brands will be experiencing an immediate and harmful drop off in sales (e.g. clothing, hotels, airlines), the consequences of the current crisis are highly disruptive for educational publishing but, the impact is felt differently due to the cyclical nature of purchasing patterns, linked to the academic year.

Mainstream educational publishers are highly dependent on sales of print textbooks sold largely through third party wholesalers (national, regional). The duration of the lockdown and the resilience of these offline channel partners – along with their networks of booksellers – will be key in determining the gravity and depth of the crisis. The textbook business (particularly outside the UK) is cyclical, with a huge chunk of annual sales often condensed into a 2-3 week local back-to-school sales season (typically September/October in Europe).

Managing the supply chain, stock levels, partner relationships and onwards distribution of the print textbooks – along with the underlying assumptions (will schools be open or closed, whether to delay launches or go ahead) will be the largest business challenges faced (in my view). In the worst-impacted markets it is hard to imagine that the launches of new products will not be delayed. Ensuring teaching and learning can resume in the new academic year with the right educational resources either physically in place or available and properly supported online.

What changes are you making to help your brand connect with how people are feeling and experiencing the pandemic?

My starting position is that I am not expecting to pick up any new contracts over the next few months. If I do, it will be an unexpected bonus.

My focus will be on my existing clients and contacts, and quietly letting them know (by personal email) I am there to listen if they want to talk or available if they just need a chat to break up the day.

I am prepared to be generous with my time if that is what the client wants or needs, but I will not pursue them aggressively. When I have useful tools or insights to share (such as the Econsultancy remote working webinar – I will pass it on).

I think humility is important here. As a Sales Director/Marketing Director/Board Member I never went through what my colleagues are experiencing now. So while I can lend a sympathetic ear, I have as much if not more to learn right now from them than they do from me.

Which companies have impressed you since the outbreak?

I thought Mark Ritson’s article In Marketing Week was interesting in this respect. Firms have to balance financial sustainability with a duty of care to their employees and retaining strong customer focus and empathy. There also needs to be sensitivity to stake-holders (not least suppliers and channel partners) and any wider societal issues.

I have been impressed by the flexibility of local businesses in my area to reinvent themselves: restaurants suddenly providing home delivery, food wholesalers delivering directly to consumers (a schools and hotels are all closed), the local fruit and veg market traders delivering veg boxes to your front door. They have all had to transform overnight to direct selling operations often with little or no online shop or ecommerce systems in place. Being linked into local community pages (Facebook and Next Door) have helped them get their message out virally.

In the UK, the citizens’ response to the government’s call for volunteers has been remarkable. It is good to see some firms doing their bit, whether it be cosmetics firms putting aside production capacity for hand sanitiser, fashion businesses making masks and scrubs, or academic publishers freeing access to all research papers relevant to Covid-19.  Seeing Tesco make a donation to support food banks via the Trussell Trust is also an example of business taking a wider societal view.

I think the efforts by educational publishers to support teachers, parents, and learners with home learning resources is a decent customer-sensitive response (see Pearson, Cambridge University Press, Oxford University Press).

What does long term planning and strategy look like now at your brand?

I will try to figure out what the longer-term impacts will be on society and educational publishing. It is possible that the digitisation of publishing which has been progressing gradually for at least a decade, will see a permanent step change. Likewise, the relationship between Marketing and Field Sales /educational agents will evolve, with MQLs becoming more significant and more of the customer journey happening online and for a greater percentage of customers.

If these assumptions are correct, what part can I play in helping my clients on their journey? What changes do I need to my offer? Is it something I can deliver alone? Do I need to extend my partner network?

What advice would you give a marketer right now?

  • Stay safe, stay sane, seek help if you need it.
  • Think customer (always).
  • Leaders: be prepared to make some big calls sooner rather than later.
  • All marketers: be prepared to be flexible (mindset, responsibilities, ways of working).
  • Be more careful than ever around messaging – though careful needn’t mean solemn.

Explore Econsultancy resources

The post Marketing in the new normal: Paul Ralph, freelance consultant in educational publishing appeared first on Econsultancy.