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content that stands out

A few years ago I wrote a post with a formula for creating great content that seemed to help a lot of people. Today you have no choice but to work in news ways on content that stands out!

It’s a formula I’ve used in my college classes for many years but I’ve had to update the model recently to adjust to our current marketing environment.

Fair warning, this post also contains commentary about my balls.

So here we go.

First, let’s review the original formula. It still works …

The RITE method for content that stands out

A proven method to consistently create effective content is “RITE.”

RITE is an acronym that stands for Relevant, Interesting, Timely, and Entertaining. If you create content that consistently hits at least three out of these four angles, you’ll be spinning content gold.

1. Relevant

What if you have multiple interests like books, pets, and cars? Can you create content about everything you’re interested in?

The answer is … kind of.

You don’t want to confuse people. If you started a video series about woodworking and then did a commentary on the history of poodles, your readers would think “What’s going on here? I came here for the woodworking tips!” You’re no longer relevant.

Now, that’s not to say you can’t bring your hobbies and interests into your content.

I’ve used inspirations from history, art, travel, literature and other areas of interest to enliven my blog posts, but the lessons are always relevant to my core topic.

Here’s a post I wrote after visiting a barbecue restaurant, for example.

I love barbecue, by the way. I’m probably eating some right now.

2. Interesting

The “I” in RITE is Interesting. Publishing your content isn’t a creative writing contest. It’s a war for attention.

Every single piece of content you produce must be interesting. If you can’t do that consistently, you’ll assuredly lose your audience to competitors who can hold their attention.

How do you stay consistently interesting?

When I create content that’s particularly provocative, somebody in the comment section will typically write “How did you know this was on my mind?” or, “How did you know we were just talking about this at work?”

I suppose the difference is, I don’t just think about things that interest me — I write about them and open a public discussion. This week on LinkedIn, somebody wrote, “you’re the only person out there with the balls to say this stuff.”

I don’t think I have unique cojones. And if I did, I would not tell you.

But it takes some guts to put yourself out there, especially when a view is incomplete or controversial, but that’s the key to remaining interesting, isn’t it?

You don’t need all the answers to be interesting. You simply have to ask the right questions.

3. Timely

Research shows that people love sharing ideas that are new — research, breakthroughs, data.

So incorporating something new and provocative into your content is a great way to light up an audience.

Here are opportunities to create content that stands out based on changes going on in your environment:

  • WOW news — In every industry, there’s somebody producing a newsletter that curates the latest news (If there isn’t, go do that!). Read this news every day. If there’s a news item that makes you go “wow!” it’s probable that others are going “wow,” too. Open up your laptop at that moment and write a post about the implications of that news from your point of view. Publish that same day and your readers will love you.
  • Comment on a commentary. Let’s say your passion is fire-fighting. If there’s an event that affects your industry like a budget cut, a new regulation, or a technological breakthrough, there are news stories already out there about it. Do a web search to find others commenting on the issue and then 1) summarize their points 2) provide a link to the original source with attribution, and 3) add your own perspective to the original view.
  • Round-up post – If there’s a breakthrough in your area of sustainable interest, ask thought leaders to send you a paragraph, video clip, or soundbite of their views and present a round-up of opinions. You’ll be creating great content with the secondary benefit of quoting industry leaders who may share your post. Here’s an example from my own work.

4. Entertaining

content marketing

The final factor in the original RITE formula is “Entertaining” … but perhaps it’s the most important aspect of content creation today.

Why do you share a piece of content? Because it’s entertaining in some way. Maybe the video, podcast, or blog post makes you laugh, inspires you, or amazes you.

Thinking in terms of “entertainment” may create a point of differentiation for you. Most people aren’t putting their content through the “entertainment” filter … they’re just reporting. Could you stand out from the crowd and become known because of your entertaining style?

This is a big challenge for the typical corporate content creator because most companies don’t sit around thinking, “how can we be more entertaining today?”

And yet … they should.

Content that stands out also needs this …

So that’s the RITE formula, I taught that idea in my classes for years until I realized that it’s not enough.

In this world of overwhelming information density — content shock — you can publish wonderful content that is relevant, interesting, timely, and entertaining and still not create content that stands out.

There is or thing more. You need to be:

content that stands out

You may be wondering, “What does Batman have to do with this?”

The answer is nothing. I’ve loved Batman since I was six-years-old and it’s my blog so I can do anything I want. Batman has the cojones.

And when it comes to superheroes, he is SUPERIOR and you have to be SUPERIOR to the competition in the content space, too. And so I added an “S” — RITES.

Here’s the deal. Today, being great isn’t enough. You have to be the greatest in your niche because if you’re not, people will switch away. You would, too. Your readers will “switch the channel.”

This is an important idea. Your content approach needs to be evolving. You need to keep raising the bar to keep competitors at bay with content that is insanely great.

This is why some sort of continuous innovation process should be part of every content initiative, especially in highly competitive niches. Fight, fight, fight to stay at the top.

RITES. I swear by this method. if you use this filter with your content every week, you’ll be on a path to success.

Drop me a note in the content section and let me know if this was helpful.

Keynote speaker Mark SchaeferMark Schaefer is the chief blogger for this site, executive director of Schaefer Marketing Solutions, and the author of several best-selling digital marketing books. He is an acclaimed keynote speaker, college educator, and business consultant.  The Marketing Companion podcast is among the top business podcasts in the world. Contact Mark to have him speak to your company event or conference soon.

Illustration courtesy of Unsplash.com

The post An updated formula for creating content that stands out appeared first on Schaefer Marketing Solutions: We Help Businesses {grow}.

Drop a site below if you’ve recognized anything cool for writers!

https://writetodone.com/inspired-to-write/

Editor’s note: To be inspired to write in these difficult times is hard. With so much going on in the world, it can feel impossible to carry on writing when such monumental events are unfolding before our eyes. So this week we’re re-publishing one of Mary’s most popular posts to help re-inspire you to write. […]

The post Inspired to Write: 20 Inspiring Quotes to Help You Through Difficult Times appeared first on WTD.

Drop a site below if you’ve uncovered anything cool for writers!

https://www.rohitbhargava.com/2020/04/how-to-present-a-virtual-keynote.html

Six weeks ago every event got cancelled, postponed or moved to virtual. Like many professional speakers, I started delivering my talks virtually. But taking a 45 minute talk and doing it over Zoom doesn’t work. It’s too long, tech gets in the way and it just feels boring.

I knew I had to get better at this.

So I started researching. At first it was YouTube videos. I watched a 34 minute overview on selecting the right cardioid microphone. I took notes from a masterclass from a Hollywood lighting pro on techniques like loop and butterfly lighting. I consumed hours of videos on acting techniques, professional studio setups, and product demos. I also asked for advice from some professionals in the entertainment business from my network and read what my friends and fellow speakers were sharing on social media.

And I started writing a book all about everything I was learning when it came to presenting virtually, working more effectively while remote and building trust with people without being in the same room (or perhaps without ever having met in real life. This week, I’m launching that book as a free download (get it here!) and throughout the process of writing and researching it, I kept presenting and experimenting.

Over the last three weeks I have learned a lot and gotten better. Though I’m continuing to do presentations and getting better at virtual storytelling, I thought I’d share some of the biggest things that I have learned which will help you get better faster, and perhaps skip watching hours of YouTube videos in order to do it.

1. Don’t fear the tech.

I realized over the past month that I have been completely spoiled at events by working with a professional AV crew. At home, it’s just me. And when faced with complex technology, my tendency has too often been to claim ignorance. I was, after all, an English major. But in a professional setting, when you are on your own without an IT department, technical problems just end up making YOU look bad. There’s no one else to blame. So skip the excuses, watch some YouTube videos yourself and conquer your fear of getting technical. This isn’t like programming the Mars rover. You can do this.

2. Get dressed.

It’s a beautiful thing that we can now present in our pajamas. But I don’t. In fact, I usually dress the same way I would if I were presenting from the stage. For me, it helps me to bring more energy in an artificial environment where I don’t get the benefit of audience feedback. So I don’t look the same in every video, I also try to wear something different for each talk.

3. Embrace the unperfection.

Most of us don’t have a professional studio at home. It’s ok. In fact, it might be better. When we see each other’s homes in the background, or some of our personality – we feel more connected. So let it be a little bit unperfect and focus on being authentic instead of perfect.

4. Face the window.

All of the light tutorials I watched on YouTube were great, but complicated. You can buy ring lights or hook up web-enabled dimmers to your phone – but the real secret to how I’m getting pretty good light on all my calls comes down to three words: face a window. When your face is to the window, you avoid backlighting (the biggest lighting problem most people have) and odd shadows too. The picture below is me in my home office with NO additional lighting. I literally just turned around to face the window instead of putting it behind me. Of course, this won’t work if you’re in a room with no windows (or at night) – so if that’s the case, get good lighting from the front (a ring light works for this) and start with that.

5. Invest in sound.

If you are going to spend money on anything to improve your virtual presentation, make it a high quality microphone. Headsets generally are a great way to get good sound and avoid background noise. The problem is you end up looking like a call center operator. The alternative is a good cardioid microphone (a microphone that mainly picks up sound from the front). The microphones to avoid are omnidirectional (they pick up ambient sound from around the room).

6. Play with the tech.

Whenever my boys encounter something new, they want to press all the buttons. As they get older, they still do that. We can use some of that same mentality when it comes to using videoconferencing platforms. Do you know what all the buttons do? Try them out. On a Zoom call, using the space bar is a shortcut to go off mute. Skype has similar keyboard shortcuts. The best way to get better at using the tools is by playing with it … and pressing all the buttons.

7. Skip the apology.

We all know that virtual meetings aren’t seamless. Sometimes people are hard to hear. And your WiFi may be slow. It’s tempting to always be apologizing for this, or even worse, apologizing before anything even goes wrong! Instead, go with the flow and adapt to the difficulties. If they persist, be decisive in what to do about it – whether it’s asking everyone to log out and then back in, or the worst case scenario of rescheduling the meeting. People may not like it, but they will definitely appreciate it more if you didn’t waste 30 minutes trying to get everything working before finally canceling.

8. Speak to the camera.

When you are on a video call where multiple people are sharing screens, you will want to look at them. The problem is, doing this appears as if you’re looking sideways. The only way to offer the appearance of eye contact is to speak to your webcam instead of to the images of the people. This is logical, but very hard to consistently do because it feels unnatural. To be honest, I haven’t found an easy way to do this, apart from asking everyone else to turn off their video screens. So I’ve just been practicing ignoring their videos and speaking to the camera instead.

9. Use props.

One of the nicest things about presenting from my home office is that I can have all the tools I usually use right next to me. So while I used to share a picture of a stack of books that I read from the stage, now I can actually SHOW people the stack. Props are a great way to break up the monotony of a talk and bring your personality too.

10. Update your website/profile.

Everything is changing, but a lot of what we see online seems to have been created before Covid-19. As a speaker, I wanted to be sure to let event planners and potential clients know that I’ve adjusted what I do, so I changed my homepage and my speaking page to focus on virtual events. If you want to show potential customers or even your colleagues that you’re adjusting too, consider updating your site (if you have one) or your professional profiles too.

Want to see all of my best insights as well as learn from the experiences of more than 50 experts who have contributed to share their best tips with you?

Download a free copy of my latest guide and ebook, The Non-Obvious Guide to Virtual Meetings & Remote Work.

Download here >>

Drop a link below if you’ve uncovered anything cool for authors!

https://writetodone.com/inspired-to-write/

Editor’s note: To be inspired to write in these difficult times is hard. With so much going on in the world, it can feel impossible to carry on writing when such monumental events are unfolding before our eyes. So this week we’re re-publishing one of Mary’s most popular posts to help re-inspire you to write. […]

The post Inspired to Write: 20 Inspiring Quotes to Help You Through Difficult Times appeared first on WTD.

Hit the like button if you like this info!

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content that stands out

A few years ago I wrote a post with a formula for creating great content that seemed to help a lot of people. Today you have no choice but to work in news ways on content that stands out!

It’s a formula I’ve used in my college classes for many years but I’ve had to update the model recently to adjust to our current marketing environment.

Fair warning, this post also contains commentary about my balls.

So here we go.

First, let’s review the original formula. It still works …

The RITE method for content that stands out

A proven method to consistently create effective content is “RITE.”

RITE is an acronym that stands for Relevant, Interesting, Timely, and Entertaining. If you create content that consistently hits at least three out of these four angles, you’ll be spinning content gold.

1. Relevant

What if you have multiple interests like books, pets, and cars? Can you create content about everything you’re interested in?

The answer is … kind of.

You don’t want to confuse people. If you started a video series about woodworking and then did a commentary on the history of poodles, your readers would think “What’s going on here? I came here for the woodworking tips!” You’re no longer relevant.

Now, that’s not to say you can’t bring your hobbies and interests into your content.

I’ve used inspirations from history, art, travel, literature and other areas of interest to enliven my blog posts, but the lessons are always relevant to my core topic.

Here’s a post I wrote after visiting a barbecue restaurant, for example.

I love barbecue, by the way. I’m probably eating some right now.

2. Interesting

The “I” in RITE is Interesting. Publishing your content isn’t a creative writing contest. It’s a war for attention.

Every single piece of content you produce must be interesting. If you can’t do that consistently, you’ll assuredly lose your audience to competitors who can hold their attention.

How do you stay consistently interesting?

When I create content that’s particularly provocative, somebody in the comment section will typically write “How did you know this was on my mind?” or, “How did you know we were just talking about this at work?”

I suppose the difference is, I don’t just think about things that interest me — I write about them and open a public discussion. This week on LinkedIn, somebody wrote, “you’re the only person out there with the balls to say this stuff.”

I don’t think I have unique cojones. And if I did, I would not tell you.

But it takes some guts to put yourself out there, especially when a view is incomplete or controversial, but that’s the key to remaining interesting, isn’t it?

You don’t need all the answers to be interesting. You simply have to ask the right questions.

3. Timely

Research shows that people love sharing ideas that are new — research, breakthroughs, data.

So incorporating something new and provocative into your content is a great way to light up an audience.

Here are opportunities to create content that stands out based on changes going on in your environment:

  • WOW news — In every industry, there’s somebody producing a newsletter that curates the latest news (If there isn’t, go do that!). Read this news every day. If there’s a news item that makes you go “wow!” it’s probable that others are going “wow,” too. Open up your laptop at that moment and write a post about the implications of that news from your point of view. Publish that same day and your readers will love you.
  • Comment on a commentary. Let’s say your passion is fire-fighting. If there’s an event that affects your industry like a budget cut, a new regulation, or a technological breakthrough, there are news stories already out there about it. Do a web search to find others commenting on the issue and then 1) summarize their points 2) provide a link to the original source with attribution, and 3) add your own perspective to the original view.
  • Round-up post – If there’s a breakthrough in your area of sustainable interest, ask thought leaders to send you a paragraph, video clip, or soundbite of their views and present a round-up of opinions. You’ll be creating great content with the secondary benefit of quoting industry leaders who may share your post. Here’s an example from my own work.

4. Entertaining

content marketing

The final factor in the original RITE formula is “Entertaining” … but perhaps it’s the most important aspect of content creation today.

Why do you share a piece of content? Because it’s entertaining in some way. Maybe the video, podcast, or blog post makes you laugh, inspires you, or amazes you.

Thinking in terms of “entertainment” may create a point of differentiation for you. Most people aren’t putting their content through the “entertainment” filter … they’re just reporting. Could you stand out from the crowd and become known because of your entertaining style?

This is a big challenge for the typical corporate content creator because most companies don’t sit around thinking, “how can we be more entertaining today?”

And yet … they should.

Content that stands out also needs this …

So that’s the RITE formula, I taught that idea in my classes for years until I realized that it’s not enough.

In this world of overwhelming information density — content shock — you can publish wonderful content that is relevant, interesting, timely, and entertaining and still not create content that stands out.

There is or thing more. You need to be:

content that stands out

You may be wondering, “What does Batman have to do with this?”

The answer is nothing. I’ve loved Batman since I was six-years-old and it’s my blog so I can do anything I want. Batman has the cojones.

And when it comes to superheroes, he is SUPERIOR and you have to be SUPERIOR to the competition in the content space, too. And so I added an “S” — RITES.

Here’s the deal. Today, being great isn’t enough. You have to be the greatest in your niche because if you’re not, people will switch away. You would, too. Your readers will “switch the channel.”

This is an important idea. Your content approach needs to be evolving. You need to keep raising the bar to keep competitors at bay with content that is insanely great.

This is why some sort of continuous innovation process should be part of every content initiative, especially in highly competitive niches. Fight, fight, fight to stay at the top.

RITES. I swear by this method. if you use this filter with your content every week, you’ll be on a path to success.

Drop me a note in the content section and let me know if this was helpful.

Keynote speaker Mark SchaeferMark Schaefer is the chief blogger for this site, executive director of Schaefer Marketing Solutions, and the author of several best-selling digital marketing books. He is an acclaimed keynote speaker, college educator, and business consultant.  The Marketing Companion podcast is among the top business podcasts in the world. Contact Mark to have him speak to your company event or conference soon.

Illustration courtesy of Unsplash.com

The post An updated formula for creating content that stands out appeared first on Schaefer Marketing Solutions: We Help Businesses {grow}.

An Asian American Woman Tries to Find Herself Outside the White Gaze

As I was reading Days of Distraction, Alexandra Chang’s debut novel, a pandemic swallowed the news cycle, infiltrated my thoughts and implanted itself into the arc of the story, inseparable now from the story of a young woman struggling to find her place in her career, family and love relationship. Such is the nature of modern life, the novel suggests. For its narrator, life proceeds in app platforms, work chat streams, text messages, media, memories, and of course, IRL interaction—and this is reflected in the novel’s fragmented form. Chang often writes in succinct bursts of narration, cutting through the din, allowing incisive commentary about racism, sexism, and the everyday multitudes of being Asian American. 


Cathy Erway: Your book is written in fragments—the story of the protagonist’s journey from a technology reporter in the Bay area to following her boyfriend to upstate New York for his grad school is interspersed with flashbacks, reflection and often snippets of media, like historical records. Do you think that in this day in age, our lives and our decisions are more influenced by the things we’ve read, at some point in time?

Alexandra Chang: I do think that’s the case, at least for me. I, in any given day, will read bits from articles, read Tweets, go on Instagram, watch TV,  then read a book. There are so many sources of information that I’m taking in during any given period of time, and I might not be aware of each individual one affecting my state of mind or an opinion that I might develop. The form allows for a lot of different sources to fold into the narrative in a way that, for me, felt more natural to the way that I take in information. 

I was also interested in the fragmented form because it’s really malleable and can dramatize the psychological and emotional state. The fragments dramatize the ways the narrator in the book is grasping to find a sense of self, and then at times failing, and how she’s looking to various sources, whether it’s in her own past or something that her parents or coworkers say or doing research.

CE: As the narrator is struggling to feel at home after leaving her job and the city that felt like home to her to live with her boyfriend across the country, there is a fragment from Maxine Hong Kingston’s memoir, Woman Warrior. Did her work have an influence on yours? I noticed there weren’t too many other novels excerpted.

AC: I read Woman Warrior when I was an undergraduate, in my sophomore or junior year. Before that, I had never read a memoir by a Chinese-American woman… It was a foundational text to me and a book that I have gone back to time and again, so it felt apt to include a bit of it in the novel. 

CE: Did you consider writing this story as a memoir? There are a lot of parallels between your life and that of the narrator’s — being a reporter for tech publications, then traveling across the country to live with your now-husband as he attended grad school.

AC: No, I never considered writing it as a memoir, mostly because I didn’t think my life was really interesting enough to be put down as memoir. I am also not as familiar with the genre and form. For me, fiction is where I feel comfortable, and where I can access and hopefully put down on the page some emotional truths about my existence and the way I see the world without having to exactly adhere to my own experiences. In a lot of ways the book drew from my life, but in many other ways it strays and it’s stylized, and in that way it’s fictional—it feels very fictional to me. 

CE: Speaking of fragments in your book that are historical records, there are a couple pages that had back-to-back clippings from American newspapers the late 19th century, discussing Chinese American immigrants. Then the narrator follows it with:

“Excerpt 1: Pit minority races against one another to benefit white supremacy. The creation of the model minority. Excerpt 2: Thirteen years later: This model minority no longer benefits white supremacy. Therefore, no more allowed in this country.”

Why do you think it was important to include these pieces, specifically? 

AC: As the narrator is trying to figure out her place in the world, she seeks out these historical documents and sees these parallels between the past and the present and [those two clippings] are important for her to recognize her place in the world as tied to a history of white supremacy in the United States. 

Racism against Asian Americans is not something that exists outside of racism against all marginalized people.

For me growing up, I was in predominantly white spaces—and this is reflected in the book in certain places—that I did sometimes have this desire to fit in or to be accepted in white society. As I got older, I started to realize that chasing assimilation was not actually the way I wanted to live. Also, racism against Asian Americans is not something that exists outside of racism against all marginalized people, so in this moment, the narrator is pointing out and recognizing how racism against Asian Americans is part of a larger system of white supremacy, how white supremacy can utilize one race against another. 

CE: Did you happen to read a recent op-ed by former presidential candidate Andrew Yang that is receiving a lot of pushback from the Asian American community?

AC: Yes, that’s an example of what I was talking about, where there is this desire for assimilation and to prove one’s humanity and existence to white society. That the burden is on Asian Americans to do this work. I could have related to that feeling when I was younger, but I have very much grown out of that. It’s definitely not the message I would want Asian Americans to hear and to follow, and I was glad to see such a concerted pushback from the community. 

In the book, the narrator is concerned with these individual moments of racism that happen to her as an Asian American woman, but she’s also on this path to better understanding how that fits into this larger system of racism which affects more than just her. It doesn’t seem like Andrew Yang has considered this yet.

CE: Unfortunately, your book’s publication coincides with a rise in hate crimes against Asian Americans. How does it feel to publish a book that explores Asian American identity in a time where racism against this group is making headlines?

AC: It’s strange and sad to think that my book might be more “relevant” now because of the increasing visibility of anti-Asian racism and xenophobia. The book takes place is in 2012 and 2013, and a lot of it is about the ways in which the narrator experiences and navigates veiled forms of racism—microaggressions from supposedly well-intentioned people, lack of visibility, lack of access to opportunities, an overarching feeling of loneliness. At one point in revision, I cut a scene where a friend of the narrator’s, during the heat of an argument, calls her a “chink.” It felt too melodramatic to me at the time, too much of a departure from the more minor, but persistent and insistent, experiences of racism in the book. Today, seeing Asians in America not only increasingly called this and other racist slurs but also physically assaulted—that scene feels, sadly, ordinary.

CE: In the book, the narrator struggles a bit with her interracial relationship. There is one passage where the narrator observes that her white boyfriend, J, can’t hear the difference in tones when she says something in Chinese. It feels like a loaded description. Do you think this reflects an inherent inability on his part to really understand her or her culture?

A lot of this book is about this experience of struggling to find a way to exist in the world authentically beyond outside perception.

AC: I didn’t necessarily write it with that specific intention. I wrote that section from personal experience, knowing that my white husband and many white friends aren’t able to hear the differences in the inflections of Mandarin. But there’s another moment where J persists in calling the narrator the family nickname even though he pronounces it differently than her family does. That is a moment that exists in this gray area, where he isn’t able to access this person who she feels she is with her family, but he persists in calling her this name. So for her, she starts to think of it as this different version of herself. I do think all of these moments add up throughout the book to show how even in this intimate relationship, they can’t ever fully understand one another. 

CE: Your novel begins with a fragment about how people underestimate the narrator’s height. Have people underestimated you?

AC: What’s interesting about that first paragraph is that it has always been the first paragraph of this novel, it has never changed. It speaks to this struggle that the narrator has in defining who she is, while she being very aware of the ways people perceive and misperceive her. It’s also about these distances in how she wants to be and how she experiences the world based off of other people’s/society’s perspective of her. 

I have been in many situations where I’ve been underestimated or made to feel small. In the workplace, for example, not being acknowledged for the work that I’ve done or having to do a lot more in order to be acknowledged or rewarded. A lot of this book is about this experience of struggling to find a way to exist in the world authentically beyond outside perception, and of course, that is something that I also still struggle with today. 

CE: Is there anything else you want to say about your book?

AC: I wanted to add that there seems to be a renaissance in Asian American literature right now and I feel like very lucky to be part of this resurgence—there are so many books by Asian American authors that have come out this year and the months to come, so I just wanted to shout out a few of the ones I’ve read and loved, including: Meng Jin’s Little Gods, C Pam Zhang’s How Much of These Hills Is Gold, Kevin Nguyen’s New Waves, Cathy Park Hong’s Minor Feelings, and Maxine Mei-Fung Chung’s The Eighth Girl. I’m also excited to read Tracy O’Neill’s Quotients, Megha Majumdar’s A Burning, and Asako Serizawa’s Inheritors.  

Even though this book addresses a lot about the experience of feeling invisible or feeling underestimated as an Asian American woman, what is really invigorating and heartening right now is that I do see many more stories by Asian American authors coming out and to be a part of that is really great. 

The post An Asian American Woman Tries to Find Herself Outside the White Gaze appeared first on Electric Literature.