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Author: Brad Johnson

Brad Johnson is an author and blogger who helps writers discover their niche, build successful habits, and quit their 9-5. His books include Ignite Your Beacon, Writing Clout and Tomes Of A Healing Heart. For strategic content and practical tips on how to become a full-time writer, visit: BradleyJohnsonProductions.com.

What’s the most intriguing marketing advice you’ve discovered this year?

https://www.rohitbhargava.com/2020/02/what-you-can-learn-from-50-top-futurists-about-the-world-to-come.html

Exactly fifty years ago, noted futurist Alvin Toffler wrote one of the most widely read books about the future called Future Shock. It was a legendary work, and the inspiration for the team at the Abundant Future Institute to seek out 50 top futurists to each contribute a chapter to a book celebrating Toffler’s vision and offering new thoughts for a new era. I was honored to be among those who added their insights to the curated selection.

The book is now available on Amazon and my contributed chapter is titled “The Non-Obvious Appeal of Vicarious People.” Here’s an excerpt …

I once purchased a tweet from Kim Kardashian.

Admitting I bought a forgettable endorsement from a forgettable person on a forgettable platform hardly seems like an appropriate story to share in a book co-authored by some of the world’s foremost thinkers on the future. But it points to a seeming contradiction in my interests: For someone who has spent most of his professional life trying to not-so-gently nudge companies and leaders back toward embracing their humanity, I have an unusual fascination with fake things.

I attribute this interest to my experiences working in advertising for the first decade of my career, before I shifted my focus toward trying to predict and describe the future. While I was developing creative persuasion strategies to sell everything from orange juice to cloud computing, I became a student of human behavior.

The team I used to lead would regularly talk to people and pore over reports from global analytics firms to develop consumer insights. Our goal was to create “personas” that would neatly describe large categories of people in terms of their beliefs, passions, and motivations—no matter how mundane or unexpected.

Why do people pick up the second magazine from the rack instead of the first? Why do they worry about climate change yet still buy bottled water? And why do they mistakenly place so much trust in false information, manipulated media, and fabricated celebrities?

It was this last question that fascinated me most: In a world of near-perfect information, why do certain people hold such power to influence us despite sometimes being demonstrably fake? We trust and follow people who are famous simply for being famous, or believe in the experiences of perfect strangers who post product and experience reviews online. We get duped over and over again by self-serving politicians and fame-chasing celebrities.

Thanks to the internet, we have plenty of resources that should allow us to instantly debunk any half-truth or anyone peddling half-truths. Fact-checking is at our fingertips. Despite this easy access to information, somehow people continue to be easily and deeply manipulated on a daily basis.

This invisible force is a potent fixture of our culture, but it isn’t new. Writers have been exploring and imagining its effect for much of the past century.

In Manipulation We (Often) Trust

In 1928, in his seminal book Propaganda, Edward Bernays described the “conscious and intelligent manipulation” of the masses by governments, mostly achieved through imperceptible methods of persuasion designed to keep citizens in line.

Nearly a quarter-century later, noted science fiction luminary Frederick Pohl imagined a future where advertising agencies manipulated public perceptions and capitalism ruled the world in his dystopian novel Space Merchants. Both believed outside entities like governments or organizations shaped what we believe to further their own ends.

In 1970, Alvin Toffler extended this idea to suggest individuals were influencing us, too. He used the term “vicarious people,” such as artists, television personalities, and even fictional characters, to describe the outsized effect that both people and fictional characters were having on our identities and personalities. We model our behavior after theirs and increasingly use their examples to moderate our own beliefs and shape who we are.

As politicians preach more xenophobia, online influencers chase views, and the media curates sensationalism, we the people get assaulted by the fake all around us. And sometimes we reflexively create it ourselves through what we share online.

How can we live in a future where we might overcome—or at least better manage—this parade of fake personalities to become better versions of ourselves instead of indulging our darker impulses? To start, we will need to more deeply understand the nuances behind it. I have spent considerable time trying to do exactly that, usually by doing something that most futurists are loathe to do: focusing primarily on the present.

If you want to read the rest of my chapter, you can download the entire excerpt here >>

Buy your copy of the full book here >>

What’s the most interesting marketing tip you’ve discovered from this post?

https://wordtothewise.com/2020/02/stop-obsessing-about-open-rates/

In 2020:

  • 250OK says open rates were much lower than ESPs report.
  • The Only Influencers list hosts a discussion about the value and use of open rates.
  • A potential client contacts me asking if I can get their open rates to a certain percentage.
  • A client shows me evidence of 100% inboxing but wants to improve their open rate.
  • An industry group runs sessions at multiple meetings discussing how inaccurate open rates are.

The industry needs to stop obsessing over open rates.

As measured by senders, an open means a particular image was loaded. This sometimes corresponds with an email being opened and read by a user.

There are a number of ways open rates can be wrong, though.

I mean, I get it, I use opens are easy to measure and easy to use. They’re a start for looking at a number of things. But we have to remember the data is, at best, an approximation. There are lots of folks opening and reading messages that never load a pixel (hi! is me!). There are also some people who show as opening the mail but have never looked at it.

At Gmail someone can open a mail, and then immediately mark it as spam. As I said recently, in some cases an open can hurt your reputation. “If they opened it they’re engaged with the mail” has always been an assumption. It’s become part of the delivery

They’re a data point. They’re not the be all and the end all of data points. In order to effectively use them you need to understand what they mean and what they don’t mean. They’re inaccurate at best and can be very misleading if you’re not paying attention.

We need to stop spending so much time obsessing about open rates and more time worrying about how accurate our data collection processes are.

Need Story Ideas? This 5-Step Process Works Every Time

It happens. You’re sitting in front of a blank page, you dip into your well of inspiration, and you come up with nothing.

Nada. Zilch.

At most the moldy remains of an idea you had in seventh grade.

I’ve been there time and again, until by chance I attended a panel led by Orson Scott Card.

A strategy for developing good story ideas

In that panel, he opened my eyes to what a good story idea looks like, and how to generate story ideas without any effort.

With time, I’ve included my own little twist on his method. The result? A five-element story idea generator that will rarely fail you.

Here’s how to come up with good story ideas.

The First Element: Character

A story cannot take place without creating complex characters. The character might be a chair (I wrote one like that!), but it has to be there.

If you don’t have a specific idea for a character, make one up randomly. Choose the following:

  • Race (e.g. human, alien, salt shaker)
  • Gender (if applicable–and isn’t that a story idea in itself!)
  • Age (from toddler to elder and even eternal)
  • Marital status (single, married, divorced, three-year marriage contract…)
  • Family status (parents, brothers, pets, etc. but also nationality and ethnicity)
  • Circumstances (profession, work)
  • And, of course, creative character names.

Interesting combinations make for richer stories, so keep that in mind as you fill out your character’s background.

The Second Element: Desire

Your character must have some desires in life. What drives her? What makes her get out of bed in the morning?

It can be an active desire, like running a marathon or getting a promotion. It can be a less active desire, like wanting to be left alone.

But it has to be a specific, attainable desire that will move your character throughout your story.

Can’t think of a good desire? Re-read your character’s background, try to get into that person’s shoes and think of what you would have wanted in her stead.

infographic on how to develop story ideas

The Third Element: Resistance

If your character wanted something and got it right off the bat, you wouldn’t have a story, would you?

So the next critical element is the roadblock that stands in your character’s way.

It can be physical, emotional, spiritual or cultural. It can be another person or a group of people.

It can be a question of legality or consensus. It can be the very elements of nature.

Whatever it is, make sure the resistance matches the character. If you have a strong character, you will need a powerful obstacle to stand in her way — otherwise, the reader won’t be convinced that the struggle is real and desperate.

With these three elements, Orson Scott Card claimed at that panel, you have a solid story idea that can be developed into any media and length.

I like to add two more elements to the mix.

The Fourth Element: Change

A story is all about the character’s journey, and that journey is all about change. If the protagonist is the same at the end as she’d been in the beginning, something is missing.

For short stories, the change can be as simple as a single trait:

  • A shy man overcomes his shyness in order to pursue true love.
  • A skeptic woman must learn to believe before she can attain the career of her dreams.
  • A haughty salt shaker must learn humility in order to find peace in its life.

And so on. The longer the story, the more scope you have to mold your character in new ways.

The Fifth Element: Settings

The settings of a story are more than a backdrop. It is often a character in and of itself. It impacts the way your protagonist thinks, feels, and behaves.

Choose an interesting backdrop that will really challenge your protagonist or highlight her journey.

For example, if your protagonist is on a journey of inner and outer peace, why not paint her story against a background of war, strife, or unrest?

Character, desire, resistance, change and settings. Pick them deliberately or randomize them completely; either way, you’re sure to get some interesting story ideas.

How’s that for your very own story idea generator? Now go make up some good story ideas and write!

This is an updated version of a story that was previously published. We update our posts as often as possible to ensure they’re useful for our readers.

The post Need Story Ideas? This 5-Step Process Works Every Time appeared first on The Write Life.

What’s the most interesting audience-building hint you’ve discovered this month?

https://www.socialmediaexaminer.com/how-to-advertise-quora/

Looking for a new online source of leads and customers? Have you considered advertising on Quora? In this article, you’ll learn how to discover if your audience is on Quora and how to run Quora ads to reach them. Why Marketers Should Consider Quora Ads Depending on your company’s sales cycle, you may need to […]

The post How to Advertise on Quora appeared first on Social Media Marketing | Social Media Examiner.

An Interesting Character Study: Ophelia

Although it isn’t openly stated, it is implied that Ophelia is Hamlet’s ‘girlfriend’: his betrothed, the woman he will marry. Like Hamlet, she is part of the royal court, and her father, Polonius, is a lord – so although she isn’t royalty like Hamlet, she would be a suitable match […]

The post An Interesting Character Study: Ophelia appeared first on Interesting Literature.

What’s the most helpful content marketing tip you’ve uncovered from this post?

http://feedproxy.google.com/~r/TheWritePractice/~3/LxcHgcYAx3w/

Is it maybe? May be? Or maybe it’s both?!

If you’re wondering when to use maybe vs. maybe, don’t worry. You’re in the right place. See my simple trick to always get may be vs. maybe right below.

Maybe vs. May be: The Simple Trick to Always Keep Them Straight

If you’re in a hurry, he’s the quick rule for maybe vs. may be:

The Simple Trick to Maybe vs. May Be

If you can replace it with “potentially,” use maybe. If you can replace it with “might be,” use may be.

If you’re interested in knowing WHY this is true, read on!

The Difference Between Maybe and May Be: The 9 Parts of Speech

There is one main difference between these two: they are two different parts of speech. As you may remember from elementary school, there are nine different parts of speech:

  1. Noun
  2. Verb
  3. Adverb
  4. Adjective
  5. Preposition
  6. Article
  7. Interjections
  8. Pronoun
  9. Conjunctions

Need a refresher on these? Check out our full parts of speech guide here.

Which do maybe and may be fall under, though?

Maybe Is an Adverb

Maybe and may be both are about the potential of something happening or being true.

The main difference between them, though, is that maybe is an adverb, which means it needs to modify a verb. Most adverbs end in “ly”—which is why you can replace maybe with potentially.

May Be Are Both Verbs

On the other hand, “may” and “be” are both verbs, which means they express a state of being.

As verbs, the phrase “may be” will always modify a noun, e.g. “John may be at the dance tonight.”

Examples of Maybe vs. May Be

The tricky thing is that they have similar meanings, which makes it more difficult to distinguish. So with that in mind, let’s look at the difference between these two words in context:

Correct:

Maybe Deon will be interested in going swing dancing next week.

Deon may be interested in going swing dancing tonight.

The first sentence is correct because “maybe” is modifying the verb, “will be.” If you replaced it with “potentially” it would mean the same thing, but if you replaced “may” with “might” it wouldn’t make sense. “Might be Deon” just sounds weird, right?

The second sentence is correct because “may be” is referring to the proper noun, “Deon.” If you replaced “may” with “might” it would sound normal, “Deon might be interested….” Sounds good, right? But if you replaced it with “potentially,” it would be weird. “Deon potentially interested….” Unless you’re a caveman, that doesn’t sound right.

Let’s look at some incorrect examples:

Incorrect:

May be Shirley will go to tango night with us.

Shirley maybe going to tango night with us.

For the first sentence, again try replacing “may be” with “might be” and you’ll find it sounds more like Yoda-speak than normal English.

For the second sentence, replacing “maybe” with “potentially” feels weirdly clipped. You’d have to say, “Shirley potentially will be going…,” to make it work, and even then, “may be” is much smoother.

Let’s look at a few other examples:

Correct:

Vardy says he may be doing a cha cha performance next week.

Vardy says he is thinking about maybe doing a cha cha performance next week.

If Tina goes dancing tomorrow, she may be showing off her new swingout skills.

If Tina goes dancing tomorrow, maybe she can show off her new swingout skills.

The Trick to Never Confuse Maybe and May Be Again

Again, the easiest way to make sure you’re using these correctly is to replay “maybe” with “potentially” and “may be” with “might be.” If the sentence is still correct, you’re good. If it’s not, then you know you need to change it.

So there you have it. Now you’ll never confuse the two again! But just to be sure, let’s practice the two with a creative writing exercise.

Need more grammar help? My favorite tool that helps find grammar problems and even generates reports to help improve my writing is ProWritingAid. Works with Word, Scrivener, Google Docs, and web browsers. Also, be sure to use my coupon code to get 25 percent off: WritePractice25

Coupon Code:WritePractice25 »

PRACTICE

To practice using maybe and may be correctly, use the following writing prompt:

Write for fifteen minutes about the possibility of something that happens at a Labor Day cookout. Use may be and maybe appropriately as often as you can. Post your practice in the comments and leave notes for your fellow writers.

The post Maybe vs. May Be: The Simple Trick to Always Keep Them Straight appeared first on The Write Practice.

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